Lehmann coached, taught, directed and “master-classed” a huge number of singers. She was always proud of her students and their accomplishments. In every interview she managed to include some of their names. Long before Lehmann taught at the Music Academy...
On this page you can find articles from magazines such as Opera News, Time, Life etc. as well as newspapers. The May 2008 issue of Opera News includes the following review of Kater’s Lehmann biography by Rudolph Rauch. A revisionist biography of diva Lotte...
This page provides an introduction to the various eras of 20th Century sound recordings. You’ll find information on: Early Recording Methods, Acoustic Recording, Electric Recording, RCA Victor in 1947 & 1949, Long Playing Recordings, New life for old...
PreyNuT Es bellen die Hunde, es rascheln die Ketten; Es schalfen die Menscen in ihren Betten, Träumen sich manches, was sie nicht haben, Tun sich im Guten und Argen erlaben; Und morgen früh ist alles zerflossen. Je nun, sie haben ihr Teil genossen Und hoffen, was sie...
Paul Ulanowsky was Lehmann’s principal accompanist from 1938 until 1951, performing with her over 50 times in New York alone. She called him “the ideal accompanist for me. We understood each other musically in perfect time.” He had the ability to...
Arturo Toscanini was an important person in Lehmann’s life both as a conductor and as a lover [see below]. Lotte Lehmann & Eleanor Steber discuss Toscanini Here is what Beaumont Glass wrote of Lehmann’s first appearance with Toscanini: “February...
