Before the preliminary material (Introduction, etc.) you can view Lehmann on her 1937 Australian tour singing to a Kookaburra.

The Introduction is focused on how to use the various aspects of the iBook that you don’t need to know in the website version. Here’s the opening paragraph: Lotte Lehmann’s legacy in recordings, films, and writing offers as much fascination now as many years ago, and it’s a joy to discover how today’s technology allows easy access to all of that. It is my privilege to meld pieces of her legacy into its own art form, a celebration I hope worthy of her charisma and creativity.

Volume 1: Table of Contents

• Acknowledgements
• Foreword
• Preface
• Dedication
• Chapter 1: Asleep on Her Sofa: An introduction & a mini biography
• Chapter 2: Legendary/Unknown: Both sides of Lehmann’s career
• Chapter 3: The Third Career: Her teaching and her students
• Chapter 4: Early Recordings: Emphasizing her early recordings
• Chapter 5: Comparisons: Singers of her time
  • 5.1: Comparisons
  • 5.2: Liebestod
  • 5.3: “Wenn du mein Liebster” by Hugo Wolf
  • 5.4: “Mein Elemer!” from Arabella by Strauss
  • 5.5: “Zeuignung” by Strauss
  • 5.6: “O Sachs, mein Freund!” by Wagner
  • 5.7: “Im Abendrot” by Schubert
  • 5.8: “La vie antérieure” by Duparc
  • 5.9: “Du bist der Lenz” by Wagner
  • 5.10: “Der Erlkönig” by Schubert
  • 5.11: “Die Lotosblume” by Schumann
  • 5.12: “Verborgenheit” by Wolf
  • 5.13: “Schmerzen” by Wagner
  • 5.14: “Nacht und Träume” by Schubert
  • 5.15: “Morgen!” by Strauss
• Chapter 6: Arias & Lieder: With my spoken commentary
• Chapter 7: Winterreise: Her reading, singing, painting, & teaching
• Chapter 8: Exclusive Photos: Rare, illustrative photos
• Chapter 9: Firsts & Honors: Her premieres & dedications
• Chapter 10: Rare & Well Done: Never-before-heard-recordings
• Chapter 11: Last Words: Her writing & poetry
• Appendices
• About the Author